Ben Robinson is a young Australian composer emerging from the highly regarded composition program at the Sydney Conservatorium of Music, where he was recently awarded the Raymond Hanson Memorial Prize for Composition upon graduating. With a style that is rich in rhythmic excitement, Ben’s works create an engaging musical trajectory from start to finish. Often combining his stylistic influences and moving between the sound worlds of Stravinsky and Bartók, John Adams, Ross Edwards and Paul Stanhope, Ben's music appeals to a wide audience, engaging listeners both with and without a formal understanding of classical music. Ben has developed his style under the guidance of composers including Paul Stanhope, Michael Smetanin and Ben Carey.
Ben was recently commissioned by Sydney's fantastic emerging orchestra, Ensemble Apex, composing Binary Ties for their 2020 digital season. In December 2019 he also won Ensemble Apex’s call for scores competition with Propulsive Instability for chamber orchestra. In June 2019 his piece Expansion for alto
"We all loved how Ben took a simple idea and developed it with imagination and flair.”
saxophone and electronics was premiered as part of Vivid Sydney, a commission for Konzertprojekt’s mini-festival, ‘Light Qualities’; this piece has since been performed at the Asia Saxophone Congress in Shanghai and Harding University in Arkansas, U.S.A.. In September 2018 Ben was awarded the second prize in Arcadia Winds’ wind quintet competition for his piece, Earworm. In August 2018 his confronting political piece on gun control in America, We Call B.S., was workshopped by the Bang on a Can All Stars and featured in ‘Extended Play’, a twelve-hour new-music festival at Sydney’s City Recital Hall. In July 2018 he won the AMEB Centenary Fanfare Competition, receiving the prize of $5000. He has also been selected to work with Moorambilla Voices as a composer-in-residence when their program recommences.
Ben recently became a member of Konzertprojekt, a small collective of emerging composers who curate concerts of chamber, audiovisual and electroacoustic music, with a focus on showcasing diversity and cultivating a vibrant music community. He also works closely with some of Sydney's best emerging performers including Oliver Shermacher and his instagram-famous clarinet ensemble The Clari Boys, Sam Weller and Ensemble Apex. Melbourne wind quintet Arcadia Winds have commented,
Ben also works with electronic media, composing a number of electroacoustic pieces both with and without live acoustic instruments. He has even achieved internet success with various remixes of the Harry Potter films, which has reached over six million views on Facebook!
Originally from the coastal town of Port Macquarie, Ben has started to build a reputation in Sydney's classical scene, and continues to work towards a freelance music career in the city.
(recordings without video)
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